Voir, entendre, lire les procès de criminels de guerre et d’opposants politiques à l’Est : les savoirs visuels et scripturaires sur la justice — Workshop du 14 juin 2019 14h00-18h00 — Institut d’études slaves, 9, rue Michelet, 75006 Paris — Coordonné par : Nadège Ragaru (Sciences Po, CERI-CNRS)

Galerie

Workshop du GDR Connaissance de l’Europe médiane Interventions et Intervenants : Réinterroger le procès Slánský à partir des images Françoise Mayer (Université de Montpellier) La collaboration dans le génocide en images et en mots: les oeuvres de Lev Ginzburg inspirées … Continuer la lecture

Représenter la Shoah après 1989 : idées, poétiques, images. Entre la France et la Pologne

Dates et lieux : Paris, 5-7 février 2015 – Université Paris-Sorbonne / Varsovie, 24-26 septembre 2015 : Université de Varsovie

Colloque international

Comité scientifique sous la direction de : Agnieszka Grudzinska (Université Paris-Sorbonne)
Kinga Callebat (Université Paris-Sorbonne)
Catherine Coquio (Université Paris Diderot – Paris 7)
Luba Jurgenson (Université Paris-Sorbonne)
Leszek Kolankiewicz (Centre de civilisation polonaise, Université Paris-Sorbonne)
Iwona Kurz (Université de Varsovie)
Sylvie Lindeperg (Université Panthéon-Sorbonne – Paris I)
Philippe Mesnard, (Université Blaise Pascal de Clermont-Ferrand)
Alina Molisak (Université de Varsovie)
Jean-Yves Potel (Mémorial de la Shoah)

Coordination :
Anna Ciesielska (Université Paris-Sorbonne), Anna.Ciesielska@paris-sorbonne.fr
Aurélie Rouget-Garma (Université Paris-Sorbonne), Aurelie.Rouget-Garma@paris-sorbonne.fr

Programme 

 Prière d’imprimer le programme et de le présenter à l’entrée

(plan Vigipirate)

Entrée libre dans la limite des places disponibles

Jeudi 5 février en Sorbonne (métro Cluny – La Sorbonne)
17, rue de la Sorbonne, 75005 Paris

10h15-13h30 : Salle des Actes
10h15 – Accueil des participants

10h30-11h30 – Allocutions d’ouverture
Agnieszka Grudzinska et Luba Jurgenson (Université Paris-Sorbonne)

11h30-13h30 – Panel 1: Littérature
La transformation politique constitue-t-elle une césure dans la représentation de la Shoah en Pologne ?
Modératrice : Kinga Callebat (Université Paris-Sorbonne)

Przemysław Czapliński (Université Adam Mickiewicz, Poznań), Malgorzata Smorag-Goldberg (Université Paris-Sorbonne), Justyna Kowalska-Leder (Université de Varsovie), Tomasz Żukowski (Académie Polonaise des Sciences, Varsovie)

13h30-15h pause-déjeuner

15h-17h : Amphi D670, galerie Claude Bernard

15h-16h30 – Panel 2 : Littérature (suite)
Écrire sur la Shoah aujourd’hui : explorations et limites
Modérateur : Marek Tomaszewski (Inalco)

Catherine Coquio (Université Paris Diderot – Paris 7), Lucie Campos, Aurélie Barjonet (Université de Versailles, Saint-Quentin-en-Yvelines)

16h30-17h pause-café

17h-18h30 : Amphi Milnes, esc. B, 2e étage

17h-18h30 – Rencontre avec l’artiste I : Mirosław Bałka / Jean-Yves Potel

Vendredi 6 février en Sorbonne (métro Cluny – La Sorbonne)
17, rue de la Sorbonne, 75005 Paris
Salle des Actes 

10h30-12h30 – Panel 3 : Mettre en scène la Shoah
Modérateur : Leszek Kolankiewicz (Centre de civilisation polonaise, Université Paris-Sorbonne), Dorota Sajewska (Université de Varsovie), Grzegorz Niziolek (Université Jagellonne, Cracovie), Philippe Mesnard (Université Blaise Pascal de Clermont-Ferrand) 

12h30-14h pause déjeuner

14h-15h – Présentation des travaux de Zbigniew Libera par Paul Bernard-Nouraud (Université Paris-Sorbonne/EHESS)

15h-17h – Panel 4 : Images, traces, documents, archives
Modératrice : Annette Wieviorka (CNRS)
Iwona Kurz, Ania Szczepańska (Université Panthéon-Sorbonne-Paris I), Ewa Ciszewska (Université de Łodź)
Alain Kleinberger (Université Paris Ouest Nanterre La Défense)
17h-17h30 pause-café 

17h30-18h30 – Rencontre avec l’artiste II: Anna Baumgart / Iwona Kurz

Samedi 7 février à l’INHA – Institut national d’histoire de l’art
Salle Benjamin, 2, rue Vivienne, 75002 Paris
(métro Palais-Royal-Musée du Louvre, Bourse ou Pyramide) 

9h15-11h30 – Panel 5 : Musées, monuments, lieux de mémoire
Modérateur : Jean-Charles Szurek (Université Paris Ouest Nanterre La Défense)
Alina Molisak, Elżbieta Janicka (Académie Polonaise des Sciences), Jacek Leociak (Université de Varsovie/Centre de recherche sur l’Holocauste), Delphine Bechtel (Université Paris-Sorbonne)11h30-11h45 pause-café

11h45- 12h15 – Présentation des travaux d’Artur Żmijewski par Jean-Pierre Salgas

12h15-12h45 – Conclusion du colloque : Agnieszka Grudzinska et Luba Jurgenson 

À partir de 14h : ateliers d’art plastique animés par Artur Żmijewski ouverts à toute personne intéressée [sur inscription].

(*sous réserve de modifications)

La traduction simultanée sera assurée tout au long du colloque. 


					

AAC : Memory in Poland of the rescuers and the rescued from the Holocaust

Dates et lieu : 11-12 juin 2015 – Varsovie, Pologne.
Deadline : 2 février 2015.

Memory in Poland of the rescuers and the rescued from the Holocaust. On the 30th anniversary of granting the title of the Righteous Among The Nations to Sugihara Chiune, Japanese Consul in Lithuania.

In 1940 Sugihara Chiune, Japanese Consul in Lithuania, in cooperation with Dutch Honorary Consul Jan Zwartendijk, issued over 2,500 visas to Polish Jews who in 1939 found refuge in and around Vilnius. Thanks to these visas, up to 6,000 people escaped the Holocaust by crossing the Soviet Union and entering Japan, and from there resettling in other countries. For his actions, in 1985
Sugihara was awarded the title of Righteous Among The Nations. On the 30th anniversary of the award, and 75 years after the rescue actions commenced, we wish to engage in a wider reflection on heroic actions of those who saved Jews from the Holocaust, as well as the ways they have been recognised by different institutions around the world.

The conference’s main aim is to bring together scholars interested in public memory and commemorations of Sugihara’s actions, and of similar rescue operations. We encourage participation by academics from various fields as well as museologists, archivists, community leaders and public figures, in order to promote a dialogue and a constructive discussion between the academics and the
broader public.

The conference will be structured around the following 4 main areas:
· Memory of Sugihara and Zwartendijk in Poland, Lithuania, Japan, the Netherlands, and the countries of settlement of Polish Jews saved by him.
· The perspective of the rescued: personal testimonies of people saved by The Righteous, and their descendants (this session will include online connections with those who can’t attend in person).
·  From remembrance to celebration: various forms of commemorative practices of Holocaust victims, survivors and saviours.
· The Righteous Among the Nations:  the award and its impact.

The conference will be hosted by Inter-Institutes  Migration Research Unit (University of Cardinal Stefan Wyszynski in Warsaw). More details of the conference can be found at: http://migracje.uksw.edu.pl.

Please send 2-to-3-page session proposals and/ or one-page individual paper abstracts, and one-page CVs as a word doc or a pdf to:
o.barbasiewicz@uksw.edu.pl

Aleksandra Hadzelek,
Faculty of Arts and Sciences,
University of Technology Sydney,
P.O.Box 123, Broadway NSW 2007, Australia, tel. +61 2 95147686
Aleksandra.Hadzelek@uts.edu.au

Olga Barbasiewicz,
Institute of Political Science,
Cardinal Stefan Wyszynski University in Warsaw, ul. Woycickiego 1/3, building
no. 23, room no.112,
tel. +48 668946552 obarbasiewicz@gmail.com

Joanna M. Guzik,
Institute of Middle and Far East Studies, Jagiellonian University,
30-387 Krakow, ul. Gronostajowa 3, room no.127, tel. +48126645415
Joanna.m.guzik@uj.edu.pl
o.barbasiewicz@uksw.edu.pl
http://migracje.uksw.edu.pl/node/78

Screen Memories. Depictions of State Socialism and 1989 in Screen Media – Festival de cinéma et conférence internationale – Budapest

Screen memories

Date et Lieu : Festival du 20 au 23 novembre 2014/ Conférence 25 et 26 novembre ) l’Université Loránd Eötvös (ELTE), Budapest.
URL de référence : https://www.facebook.com/screen.memories


Comment décrire l’état du socialisme au cinéma avant 1989 , où le geste politique de filmer participe de l’exclusion sociale dans un vaste théâtre de la mémoire ? La question de la visualité et des archives filmiques, de la mémoire et de la contre-mémoire dans le cinéma d’Europe centrale, Russie et du Caucase.

DAY 1: NOVEMBER 24, MONDAY
10.45-10.55 – Welcome

11.00-12.45 – Panel #1 SOVIET/RUSSIAN CINEMA AND REMEMBERING
Kristian Feigelson – Sorbonne Nouvelle : Screen memories in Georgian film culture.
Jasmine Jacq – University of Franche-Comté : Communist past in Russian cinema after 1991: between solemn tributes and happy desacralization ».
Alex Graham – University College London : “It’s not that they died, they just forgot. Ask whoever you like”: (re)citation, textual poetics and memory systems of the Soviet intelligentsia in Aleksei German’s ‘Khrustalev, the car!’.

14.00-15.30 – Keynote #1
Rainer Rother – Deutsche Kinemathek – Moments in Time 1989/90.
20 years after the peaceful revolution the Deutsche Kinemathek and the Bundeszentrale für politische Bildung published a collection of thousands of photos and hours of film shot in this critical period on the internet. These photos and films all came from privat sources. They are both records of a historical situation and documents of individual experiences.

16.00-17.45 –Panel #2 COUNTER-MEMORIES: OUTCASTS AND TABOOS
Andrea Pócsik – András Müllner Károli Gáspár University of the Reformed Church and Eötvös Loránd University : (Re)Screening the Roma Subaltern: Post-Socialist Visuals of Roma life in Hungary under the socialist era.
Mathieu Lericq – Sorbonne Nouvelle : (Post-)Communism and homosexuality — From repression to recognition: fiction and documentary cinema facing a political and social taboo.
Balázs Varga – Eötvös Loránd University : Rock around the block: Postsocialist Nostalgia and Recent Eastern European Cinema.

DAY 2: NOVEMBER 25, TUESDAY

9.00-10.45 – Panel #3 COUNTER-MEMORIES: GENDER AND THE BODY
Teréz Vincze – Eötvös Loránd University : Remembering Socialist Bodies – Picturing the body in Hungarian cinema after the fall of communism.
Grzegorz Wojcik – Pedagogical University of Cracow : Woman involved with Polish Newest History. Filmic Representations of Women after Political Transition in 1989.
Marija KatalinicHumboldt University : To be or not to be a socialist- comparing womanhood on screen in pre and post Yugoslavian cinema

11.00-13.20 – Panel #4 REPETITION AND NOSTALGIA
Constantin Parvulescu West University of Timisoara : The Past as Repetition: The Historical Function of Reruns
Ferenc Hammer – Eötvös Loránd University : The song remains the same: The cultural politics of socialist popular culture.
Phil Mann University of St Andrews : Doomed to repeat: The repetition of history in Viktor Oszkár Nagy’s Apaföld/Father’s Acr.
Zsolt Győri University of Debrecen White Lies, Dark Heritage: Nostalgia and the Search For (New) Illusions in Post-Socialist Hungarian Cinema.

14.50-16.00 – Panel #5 STYLE AND SPACE: VISUALITY AND MEMORY
Adam Nadolny – Poznan University of Technology : Architecture and City in socialist films of the 1960s in Poland as an element of contemporary cultural discourse.
László Strausz – Eötvös Loránd University : Realism and modernism in remembering – methodological observations on the new Romanian cinema.

16.30-18.00 – Keynote #2
Catherine Portuges – University of Massachusetts Amherst – Retracing Holocaust Memory in Hungarian Filmmaking.
This presentation engages in multigenerational dialogue Hungarian films by socialist-era directors with those of post-socialist, second- and third-generation filmmakers, rereading cinematic representations and re-imaginings of the Shoah and its sequellae 70 years on. Informed by current debates on the contested terrain of commemoration and memorialization, I suggest ways in which such re-contextualizations invite open new spaces for critical response. Extract from the following films will be screened: Géza Radványi (Somewhere in Europe/Valahol Európában, 1947); István Szabó(Father/Apa, 1966); Miklós Jancsó (Message of Stones/Kövek üzenete, 1994); Judit Elek (To Speak the Unspeakable: the Message of Elie Wiesel/Mondani a mondhatatlant: Elie Wiesel üzenete, 1996); Diana Groó (Kazinczy utca, 1999; Regina, 2013; and Livia Gyarmathy, A Tér/The Square, 2014.

DAY 3: NOVEMBER 26, Wednesday

9.00-10.45 – Panel #6 COMPARATIVE REMEMBERING: MNEMONICS ACROSS BORDERS
Mónika Dánél – Stephan Krause Eötvös Loránd University and Centre for the History and Culture of East Central Europe : ‘Has it taken place or not?’ – Figurations of ‘Romanian’ and ‘German’ 1989.
Hajnal Király – University of Lisbon : From Amnesia to Active Recalling: Representations of Memory in Contemporary Hungarian and Romanian Cinema.
Andrea Virginás Sapientia University : Experiencing foreign spaces: memories lingering between afilmic, profilmic and diegetic realities

11.00-12.45 –Panel #7 MNEMONICS TECHNIQUES IN NATIONAL CINEMAS
Katarina Misikova – Academy of Music and Dramatic Arts : A Country of Tiny History and Thick Lines?!
Raluca Iacob – University of St Andrews : (n)Ostalgie of the everyday life: 1989 in post-communist cultural memory.
Sanjin Pejkovic – Lund University : Re-inventing the past: Yugo-nostalgia in post-Yugoslav film memories.

14.00-15.30 – Keynote #3
Ewa Mazierska University of Central Lancashire : History and Memory of State Socialism in Polish (and other) Postcommunist Cinema.
My paper will consist of two parts. In the first part I will present the official discourse on history in Poland during the period of state socialism and after 1989, trying to establish what was specific for Poland’s construction of its history and what it shared with other countries of the Eastern bloc, most importantly Czechoslovakia and Hungary. In the second part I will discuss a number of films about state socialist past belonging to different genres, such as a historical film, a documentary and a comedy, trying to establish how the use of these genres affected historical representations.

15.45-16.55 – Panel #8 SECRET SERVICE MEMORIES
Péter György – Eötvös Loránd University : The parody of Schiller’s Aesthetics through ‘The Lives of Others’.
Cheryl Dueck – University of Calgary : Secret Police in Style: The Aesthetics of Remembrance.